We were comprising Haiku, and there was some disagreement around the number of syllables in "fire." currently granted Haiku isn"t technically about syllables (see on), for this reason technically it to be a meaningless discussion.

However, ns still perform not know how numerous syllables are in "fire."

I know an r-colored vowel can be at play.

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I understand nothing about Haiku, yet I can tell you some basic things to think around in regards to the valuation in general.

Unfortunately, the syllable is just one of those principles that is complicated to specify precisely and uncontroversially in regards to its details, depsite the being among the few phonological phenomena the your "average" speaker has actually a an excellent degree that intiution about. What we can say is the speech appears to be organised right into "syllables" i beg your pardon are defined by some mix of the following:

a rate generally synchronizes to a optimal in sonority;a rate generally synchronizes to a unit that speaker intuitively manipulate in metalinguistic tasks (e.g. Singing or clapping one keep in mind per syllable);a syllable is an organisational unit: the generally coincides to a collection at that nucleus, wth which consonants at the "edges" of the same syllable are associated in some means (e.g. Changes in duration can occur throughout the syllable as a whole unit), and in a given language friend can find a fairly small variety of patterns that all rate conform to.

When considering the over factors, there room a couple of cases whereby ambiguity arises. For example, in the word "strengths", over there is a optimal of sonority on the "s", and also it"s unexplained for such a facility cluster come occur, suggesting that the last "s" might constitute its very own syllable. However on the other hand, few if any type of speakers would make 2 claps/taps to accompany words "strengths", or song it on two notes.

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The word "fire" is another example wherein there is ambiguity, and probably speaker-to-speaker variation. ~ above the one hand, we may conclude that it is written of 2 syllables: one through a diphthong followed by one with a solitary schwa vowel. Or we may conclude that it comprises a solitary syllable through a triphthong ("single vowel" with three targets). One motivating debate for it gift a single syllable could be the visibility of different pronunciatons in i beg your pardon a single diphthong is present; a motivating dispute for 2 syllables would be wherein speakers mark the word with two claps/notes, or express a distinct yod ("y" sound) between the diphthong and also schwa.