Presentation ~ above theme: "COLOR. ColorColor An aspect of art that is derived from reflect light."— Presentation transcript:
You are watching: An element of art that is derived from reflected light
2 ColorColor An facet of arts that is obtained from reflected light
3 shade Spectrum when light passes with a wedge shame glass, dubbed a prism, the beam that white light is bent and separated into bands of shade
5 The name of color in the shade spectrum Hue REDYELLOWBLUE HUE
6 can not be made main Colors BLUE RED YELLOW
7 make from mixing primary colors secondary Colors green ORANGE VIOLET
8 made from mix a primary shade with a second color intermediate Colors BLUE-VIOLET RED-VIOLET BLUE-GREENRED-ORANGE YELLOW-ORANGE YELLOW-GREEN
9 The spectrum bent into a circle color Wheel
10 pigment (paint, fancy pencils) Other color Systems… RYB
11 irradiate (stars, stage lights, TV screens) Other shade Systems… RG B
12 pigment (graphics, inks) Other color Systems… CMYK
13 The art facet that defines the darkness or lightness of a shade Value
14 Shades – A dark worth of a hue colors – A light value of a hue
15 The brightness or dullness the a color Intensity High IntensityLow soot vividstrongfairmedium weak
16 colour opposite each other on the color wheel Complementary colors blue red yellow orange green violet
17 mixing a hue through its compliment: Lowers its intensity Is exactly how we get NEUTRAL colour Complementary colors
18 Monochrome method one shade Color Schemes Monochromatic shade scheme: A shade scheme that uses only one hue add to the tints and shades of that hue. Effect: Unifying
19 Colors that sit next by side on the shade wheel and have a typical hue. Effect: helps tie in one shape to the following through a common color so it uniform with more variety. Analogous colour Analogous shade scheme
20 Analogous color Scheme Edward Hopper - Compartment C, car 293
21 color that space opposite the each other on the shade wheel. Effect: exciting, loud, eye catching Complementary colors
22 Complementary shade Scheme Vincent van Gogh - Noon: remainder From occupational
23 written of 3 colors spaced equally apart ~ above the shade wheel. Effect: The contrast is no as solid as that between complements shade Triads Primary second
24 color Triads
25 break-up Complements The mix of one hue add to the hues on every side that its compliment. Effect: has actually less contrast, but an ext variety than directly complements.
26 separation Complements
27 Blues, greens, and also violets Usually associated with water, ice/snow, or grass. Cool color seem come recede or move away Warm/Cool colour Reds, Oranges, and yellows Usually associated with Sunshine or fire. Warm colors move towards the viewer.
28 heat & Cool
29 colors that result when a true color is affected by unusual lighting or that surroundings. Colors as we view them. Optical color
30 Arbitrary shade Color preferred by personal preference. Artists pick arbitrary colors fairly than optical colors because they desire to use shade to express meaning, feelings, and moods.
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Also, the create particular effects.